1.
Considering the articles you’ve read for class
today, which documentary mode does the film borrow from? Please explain
specific elements from the film to support your observations.
The film borrows from expository.
It is educating and explaining events to the audience, and felt objective with
the material it was presenting. The film was also poetic, with it nonlinear
story telling.
2.
Why do you think the filmmaker chose to automate
the voice of the narrator? What does it add or detract from the film?
It takes away emotion from the
film and adds a sense of detachment, which was done to be more objective. The
narrator seemed almost non human, which also added to the fact that there
weren’t many people throughout the film besides one exception. If done with a
human voice, it would have felt more like a story being told rather than
information.
3.
What were some of the more experimental aspects
of the film in terms of image and storytelling?
Some of the more experimental
aspects of the film was the montage of older footage that was included at the
beginning, the quick slideshow of images that seemed almost like a flipbook,
the drive-by shots, and the combination of many different aesthetics of film. The
film also used a lot of sudden cuts between images.
4.
Does the film come across as a work of fact or
fiction? Why?
The film comes across as a work of
fact because of the expository storytelling, the robotic, unemotional voice,
and just the fact it is a documentary all added together gives the impression
that its just stating facts.
Solid responses.
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